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Mural artists share visions
of solidarity across borders
While the UE's strategic organizing
alliance with the Mexican Frent Autentico del Trabajo
(FAT) is a relationship based on organizing, it is also one that celebrates
art — a people's art rooted in working-class traditions that transcends
national borders and cultural boundaries, finding its inspiration in common
purpose and common struggles.
© Juana Alicia, 2001 Mural in UE Local 506 Hall, Erie Pennsylvania
Click
here to see a bigger image of this mural.
In the Fall of 2000 in Erie, Pennsylvania, workers celebrated the inauguration
of a new mural by Juana Alicia, an artist from San Francisco, whose murals
appear, among many other locations, at the San Francisco International
Airport, the University of California at Santa Cruz and on the façade
of the headquarters of the National Teachers Union in Nicaragua. Aiding
Juana Alicia were the assisting artists — Rosalía Mariz,
Vaimóana Niumeitolu, Tomashi and Rhea Vedro. A Women's Place: Una
Guerrillera para la Solidaridad Internacional, is located in the union
hall of UE Local 506, which represents thousands of workers who manufacture
Locomotives for General Electric at its sprawling plant nearby.
The contents of the murals are based on historical data, personal stories,
poems, and photographs provided by women from Leon and Erie. The image
at the center of the Erie mural is a butterfly, the Aztec symbol of movement
and change: "Ollin." In its evolution from the chrysalis to
caterpillar to cocoon to butterfly, in the mural it represents the evolution
of women's strength and leadership in the work world. Among other elements,
the mural depicts historical and current labor struggles on the rail cars
of two trains, which meet in the center, and run through the landscapes
of Erie and Leon, representing the journey of working women over the last
century, and the link of solidarity between the UE, FAT, and workers internationally.
The rail cars contain panels with detailed historical depictions of the
lives and struggles of women workers.
The inauguration of the mural took place
on August 29 during the UE national convention. The mural electrified
the delegates, Local 506 and 618 members, and guests. Bright and vibrant,
big in size and conception, it celebrates working women and international
solidarity. "Muralist Juana Alicia proclaimed that "organizing
and art are one and the same movement," making possible the eradication
of racism and sexism.
Amy Newell, former general secretary-treasurer, reminded listeners that
for UE, interest in "international solidarity was there from the
beginning. UE and FAT developed an alliance of different components, including
the fight against NAFTA, but the heart was organizing," Newell said.
"We put platitudes into concrete action." The alternative to
rampant corporate globalism, she said, is "true internationalism."
©Mike Alewitz, 1997 FAT office, Mexico City
Click
here to see a bigger image of this mural.
In a previous exchange, labor muralist
Mike Alewitz from New Jersey and community muralist Daniel Manrique Arias
from Mexico City met in Mexico City in the Spring of 1997 where Alewitz
was the principal artist on a mural entitled "Sindicalismo Sin Fronteras"
(Trade Unionism without Borders) in the FAT's auditorium and Manrique
on a mural entitled "Marcha Por la Autogestion" (March for Self-Management)
in the area used for celebrations. The inauguration was timed to coincide
with the FAT's national meeting on April 5th and couldn't have been better,
with hundreds of workers, artists, and intellectuals and an appropriate
dedication.
The following Fall, three young muralists from the Chicago Public Art
Group assisted Manrique in Chicago on a mural entitled Hands in Solidarity,
Hands of freedom; Manos Solidarios, Manos Libres. Meanwhile, Alewitz painted
a mural in commemoration of the UPS victory at Teamster City, several
blocks away. The inauguration brought together a wide variety of organizations
and individuals to focus on some of the problems facing workers and immigrants
and generated such energy and enthusiasm that we have little doubt that
we will continue to see the impact of this project.
SEE MLNA Volume 2 number 18 (October 2, 1997) for a full description.
©Daniel Manrique, 1997 FAT office, Mexico
City
Click
here to see a bigger image of this mural.
For more information contact UE Director of International Labor Affairs
Robin Alexander at One gateway Center, Suite 1400, PGH., PA. 15222-1416.
412.471.8919, 412.471.8999 (FAX), or by e-mail at international@ranknfile-ue.org
Or contact Benedicto Martinez, one of the leaders of the FAT at FAX: 011-525-556-9316.
Spanish only please.
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| Poem in Mural:
Hands across the Border
Hands across the border
Women united as one
Workers come together
To see what can be done.
We don't all speak the language
But a smile can say much more
Extending a hand in friendship
Has opened many a door.
No matter what our country
Our culture or how we live
As workers united for a cause
We all have much to give.
Borders and barriers will come down
As we stand strong and tall
It starts with just a few of us
But we'll take down that wall.
Let history repeat itself
As oppression is overcome
Without borders and barriers
And workers together as one.
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